News
Cultured Magazine interviewed me about the reissue of Heroines.
I was interviewed for By the Book at The New York Times.
Heroines was reissued by Semiotext(e) in March 2024.
Animal Stories, reports on Kafka, John Berger, and zoos, is forthcoming from Transit’s Undelivered Lectures series in Fall 2025.
Katy Waldman interviewed me for Persons of Interest at The New Yorker on the occasion of The Light Room and the Heroines reissue.
To Write As if Already Dead was translated into the Arabic by Eman Asad and published by the Kuwait-based Takween Publishing.
Drifts was translated as Derivas by Montse Menese Vilar by my lovely Spanish press Ediciones La Uña Rota. It was listed as one of the top 50 books of the year at El País.
Book of Mutter was published in Dorothee Elmiger’s German translation by AKI Verlag. Ann-Kathrin Doerig of AKI Verlag made this incredible film in support of it. I was featured in November on the television program Druckfrish to speak about the book.
I wrote a story for the exhibition catalogue of Tove Jansson’s Paris art retrospective, inspired by The Summer Book. The Paris Review Daily published it here.
Tone, my experimental collaborative study with Sofia Samatar, was published in November by Columbia University Press.
The Light Room will be published by Corsair Books in the UK this summer.
Book of Mutter and Appendix Project will be published by Prototype in the UK.
The Light Room, my meditation on art and care, was published by Riverhead this July. For the book I was on the cover of Poets & Writers in a profile by Brian Gresko. Here are conversations I had about the book with the wonderful writers Nate Lippens and Emily Raboteau. There were beautiful review-essays about the book - I especially liked this one by the poet Niina Pollari in Romper. I wrote a 13 Ways of Looking over at Broadcast at Pioneer Works (Elvia Wilk and I will be in conversation for their forthcoming Press Play event in December 2023.)
Corsair UK will also be publishing the first UK edition of Heroines in summer 2024, along with Semiotext(e)’s reissue of the book this March, with a new cover and intro by Jamie Hood.